About

Kadence Ballet Academy

About Kadence Ballet Academy

Our Team



Faye was born in Malaysia and started her training in Ballet at the age of 4 with Datin Rosalina Ooi. She has completed her RAD in Ballet till Advanced one level.  Faye began her training in Contemporary Dance with the Victorian College of the Arts in University of Melbourne, Australia and graduated with Bachelor of Fine Arts (Dance) in 2018. During her time in Melbourne, she has worked with choreographers such as as Lee Serle, Lina Limosani, Becky Hilton, Feng Feng Wang, Gideon Obarzanek, Natalie Abbott and Anouk Van Djik. 

Since young, Faye has actively participated in choreography and performance.  She was a choreographer and performer for Perak Society of Performing Arts. Her choreography has won numerous accolades in competition such as New Prague Dance Festival, Singapore Dance Challenge Cup, International Arts festival, International Ballet Grand Prix, Star of Canaan Dance International Ballet Competition Singapore, Get The Beat both Singapore and Malaysia, Masterpiece Competition and The Dance Society of Malaysia Ballet Competition. 

Since graduating, Faye has been teaching both Ballet and Contemporary Dance in Singapore.  

Faye also holds a certificate in Ballet teaching and is a registered teacher with Royal Academy of Dance. She is passionate to use her knowledge in both Contemporary Dance and Ballet to further empower our future generation.


Kae Tagashira was born and raised in Nagoya, Japan, and began her ballet training at the age of 6. She has achieved numerous accolades in ballet competitions across Japan, including notable placements in the Japan Ballet Competition and the Victoire Competition in Kyoto.

Kae danced with the Reiko Matsoka Ballet Company (firstly the Reiko Matsoka Apprentice Company) for approximately eight years, from 2016 to 2023. During this time, she performed soloist roles in Les Sylphides, The Nutcracker, Swan Lake, Paquita, and Don Quixote, as well as corps de ballet roles in Cinderella and La Bayadere. She also participated in the company’s neo-classical productions, showcasing her versatility as a dancer.

In addition to her professional dance career, Kae holds a Bachelor and Master’s Degree in Human Sciences from Aichi Gakuin University. With extensive teaching experience spanning from children to adults in Nagoya, Kae combines her strong technical ballet background with an academic perspective.

Her solid ballet foundation, nurturing personality, and humility make her a highly respected and inspiring teacher, dedicated to guiding students on their ballet journey.


Shu was born and raised in Saitama, Japan, and began his training at Shimura Masahiro Yuko Ballet Studio at the age of three. Shu competed in and won prizes at several international ballet competitions, and he was awarded full scholarships from The Australian Ballet School, Staatsballettschule Berlin, and Portugal National Ballet School. In 2016, he decided to further his training at The Australian Ballet School, where he received the Award of Excellence in 2018. During his time at the school, he danced many soloist roles and got mentioned in Dance Australia and Chacott Web Magazine. He also toured around Australia with The Australian Ballet Regional Tour program.

After graduating in 2019, Shu joined K Ballet Tokyo (formerly K Ballet Company) in 2020 as an Artist. His repertoire highlights at K Ballet Tokyo include the Chinese Doll in The Nutcracker, the Shoemaker in Cinderella, Polonaise and Czardas in Swan Lake, Don Quixote, Carmina Burana by Tetsuya Kumakawa, and Flow Route by Rei Watanabe.

In 2022, Shu joined Singapore Ballet and has performed in many classical and contemporary pieces by international choreographers. His repertoire highlights include Pas de Trois and Puss in Boots in Sleeping Beauty, the Summer Fairy in Cinderella, the Toreador in Don Quixote, Shepard in Nutcracker, Configuration by Choo-San Goh, Solo in Reflections by Paul Knobloch, Solo in Without You by Tim Rushton, Ending duet in The Third Reset by Christina Chan, Meeting Point by Christina Chan, The Sound Was Our Ocean by Loughlan Prior, Purcell Pieces by Nils Christie and Protecting Veil by Tim Harbour.

Shu has extensive experience teaching both children and adult is currently an Artist with the Singapore Ballet.


Born in China, and a graduate of the prestigious Affiliated Secondary School of Beijing Dance Academy (北舞附中) and Beijing Dance Academy (北京舞蹈学院) majored in Classical Ballet & former dancer of the renown Tianjin Ballet Company upon graduation.

Chen Wei was invited to join Singapore Ballet Ltd. (formally Singapore Dance Theatre) by Goh Soo Khim in 2002. He danced with the company for 11 years before his retirement as a First Artist. During his time with the company, Chen Wei performed many soloist roles. His repertoire highlights include Hilarion in Giselle, Snow King in The Nutcracker, Rothbart in Swan Lake and Coppélia. Additionally, he has danced in The Legacy of Goh Choo San, Glow-Stop by Jorma Elo, Jiří Kylián’s Stamping Ground, Stanton Welch’s Madame Butterfly, Unknown Territory, Serenade by George Balanchine, Organ Concerto by Nils Christe, Age of Innocence and Opus 25 by Edwaard Liang and 4Seasons by Natalie Weir.

Chen Wei has been teaching Adult Dance Classes since 2007. He is considered as one of the most well-respected teachers in the Adult Ballet Community.


Denise has never been one to sit still. After completing her BA (Hons) Musical Theatre at LASALLE College of the Arts, she has been active in both Singapore and Malaysia – she has performed in numerous musicals and corporate shows as a singer, dancer and actress. She was recently a performer in Universal Studios Singapore as a show host and character.

She was nominated for Best Supporting Actress in a Musical in the BOH Cameronian Arts Awards 2020 for her role of Joanne in ‘The Working Dead’ (an original Malaysian musical comedy). With a passion for collaboration and creativity, she created a 10-minute musical for the Short+Sweet Festival 2018 and won several awards including the Mercedes-Benz Award for Creative Excellence.

She has been a ballet, jazz and tap teacher for the past 8 years and is always learning and looking to expand her skills by attending workshops and courses like Balanced Body’s Anatomy in 3D. She’s also a licensed Gyrotonic and GYROKINESIS® instructor as well as a certified Polestar Pilates instructor. What she would like to impart to students is having longevity in their dance journey by developing good movement habits.

Denise has only two very very important rules in her class – have fun and be kind!


Born in Osaka, Japan, Tamana started dancing at the age of 3 at Ono Ballet Studio. From the age of 10, she continued her ballet education at Ballet Academy RELEVÉ. In 2014, she was accepted to train at National Theatre Ballet School in Australia under the direction of Beverly Jane Fry before her graduation in 2016.

Tamana joined Singapore Ballet Ltd. (formally Singapore Dance Theatre) as an apprentice in January 2017 and was promoted to Artist in January 2018. Her repertoire highlights include The Light Behind Us (2021), Romeo and Juliet (2020), Cygnets in Swan Lake (2019), Coppélia, The Nutcracker, Giselle and Sleeping Beauty. She has also danced in 13th Heaven, Paquita, Linea Adora, SYNC, The Four Temperaments, Fives and Quiver.

Tamana was promoted to Demi-Soloist in January 2024. She has been teaching Adult Classes in Singapore Ballet since 2023.


A graduate of the prestigious Affiliated Secondary School of Beijing Dance Academy (北舞附中) majored in Chinese Classical Dance & former dancer of the renown China National Song & Dance Ensemble (中国中央歌舞团) in 1995, Yingying has participated in numerous performances locally and at overseas. 

Li Yingying came to Singapore in early 2000s and has been teaching and promoting Chinese Dance since 2004 in many local school’s CCA classes. Her students have won countless awards in various competitions in including Asia Art Festival, International Art Festival (“IAF”), Vanda International Art Festival Dance Competitions etc. 

Li YingYing is one of the founders for ACE Dance Academy in 2021 in order to promote Chinese classical and cultural dance. She is considered one of the most well-respected Chinese dance instructors in Singapore and deeply loved by her students.


Coach Yuva is an accomplished Strength and Conditioning Coach dedicated to inspiring individuals across all age groups to become stronger and better versions of themselves. With a wealth of experience exceeding 15 years, he has established himself at the forefront of sports coaching, utilizing cutting-edge research and evidence-based practices to enhance athletic performance. He has extensive experience working with children and adolescents, tailoring his training programs to accommodate their developmental stages—from unstructured, semi-structured training for younger children to highly structured training for adolescents to maximize sports performance.

Coach Yuva has collaborated with world and Olympic champion athletes and coaches, bringing a wealth of knowledge and real-world experience to his training methods. He previously served as the head coach for strength and conditioning at a renowned rhythmic gymnastics school, where he honed his skills and developed successful training strategies.
Coach Yuva obtained Master of Science in Sports and Exercise Studies with specialized research in the adolescent population (NTU-NIE) and Bachelor of Science (Distinction) in Sport and Exercise Science (UK). Apart from being a certified clinical orthopaedic manual therapist, and certified functional trainer and master rehabilitation specialist, Coach Yuva is also a NROC & MOE certified Rhythmic Gymnastics Coach. He is founder of Kidzercise Pte Ltd, which is committed to fostering a love for fitness and sports among the youth. He is happily married with three beautiful children.


Born and raised in China, Vivien earned both her Bachelor’s and Master’s Degrees with honors from the prestigious Tsinghua University (清华大学) in Beijing, majoring in Finance and Financial Engineering. She built a successful career in the investment banking industry, accumulating decades of experience before retiring as the lead of the Asia-Pacific Fixed Income Distribution Team at Bank of China International in Hong Kong.
Vivien’s passion for Pilates began during her banking career, where she discovered its incredible benefits in relieving body tension and enhancing overall strength. With over 10 years of experience in Pilates, she has completed the Comprehensive Polestar Pilates Programme (up to Advanced II level). In addition, she has completed the Gyrokinesis® Pre-Training Course, and is a certified Progressing Ballet Technique (PBT) coach as well as a 4 Pointe Methods® Level 1 teacher.

Vivien is deeply passionate about utilizing conditioning techniques to help dancers build a stronger foundation, improve their technique, and achieve their full potential.


Born in Singapore, Oscar is a visual artist and active in the art field. Oscar graduated from the University of the Arts London with Bachelor of Arts degree and also obtained diploma degree from Nanyang Academy of Fine Arts (“NAFA”). He is currently Resident Artist at The Temporary Place Singapore and has done many collaborations of exhibition projects locally.

He chanced upon similarities between the artistry of ballet and his own artistic practices thus taking on the opportunity to learn from a different discipline of arts to further his insight in this field.

He sees that in the realm of artistic expression, the connection between fine arts painting and ballet is profound and multifaceted. While they belong to different disciplines—painting being a static visual art form and ballet a dynamic performance art—they share a common thread in their pursuit of beauty, emotion, and storytelling.


Shery Fangiono holds a Bachelor’s degree in Arts Management from the University of London and has been actively involved in the arts industry since her graduation. With experience in art galleries and curating contemporary art exhibitions, Shery brings a wealth of knowledge and passion to the arts. A dance enthusiast, she began learning ballet as an adult, finding it both challenging and beautiful. She appreciates the discipline and perseverance that ballet instils, making it a deeply rewarding art form in her eyes.
Shery also has extensive experience in administrative roles at another dance school, where her attention to detail and organizational skills were highly valued. Her dedication to her work is matched by her compassionate nature; she is actively involved in volunteering to help special needs children. Shery is known for her kindness and trustworthiness, making her a reliable and supportive presence in any environment. Her genuine care for others and commitment to fostering a positive atmosphere make her an invaluable asset to the ballet school community.

Shery Fangiono brings a unique blend of arts management expertise and personal passion for dance to her role as an administrator at Kadence Ballet Academy. With her background in organizing contemporary art exhibitions and her hands-on experience with ballet, Shery understands the intricate balance between creativity and structure. Her appreciation for the discipline and grit required in ballet makes her particularly attuned to the needs of both the students and the faculty. This, combined with her organizational skills and dedication to the arts, makes Shery an invaluable asset in ensuring the smooth and efficient operation of the academy, fostering an environment where both students and staff can thrive.

Terms & Conditions

All parents and students are requested to note that enrolments to Kadence Ballet Academy classes, as well as attendance of workshops or any activities and productions organized by the academy, are subject to the terms and conditions below. Kadence Ballet Academy may modify these Terms and Conditions at any time. 

  1. Registration, fees and refunds
  • Registration fee: No registration fees for first time students; should a student withdraw and re-join the academy an $100 non-refundable administration fee will apply. 
  • One invoice will be raised upon registration which will include:
    • Refundable deposit; this applies for Kadence Scholar Programme and Kadence Soloists Programme students only, subject to the terms & conditions; RAD and Adult students do NOT need to pay deposit;
    • Term fee for the classes;
    • Required class leotard(s) and skirt.
  • Refund Policy
    • Non-Transferable & Non-Refundable Payments: All payments made are non-transferable and non-refundable, except for the SP programme deposit, which is subject to specific terms and conditions.
    • Students must complete their registration and pay all fees in full before they begin attending classes.
    • Missed Classes: No refunds will be provided for any missed classes, regardless of the reason.
    • Withdrawal Before Term Ends: If a student withdraws before the term is over, no refunds will be issued, and any remaining lessons will be forfeited.

2. Pro-Rating of Fees Policy

At Kadence Ballet Academy, we do NOT offer pro-rated fees except in the following two scenarios:

  1. New Students Joining Mid-Term
    • Students enrolling for the first time during the middle of a term will have their fees pro-rated accordingly.
  2. International Students with Extended Travel Needs
    • This applies only to non-scholar students who hold an overseas passport and need to visit their home country for an extended period.
    • Eligible students are those registered under the RAD or Soloist Programme (fees paid per course).
    • This does not apply to students in the Scholar Programme, where fees are paid on a monthly basis at a capped amount.
    • In such cases of international students, we offer a pro-rated fee adjustment for up to two weeks. The total number of classes covered will be calculated as:
      Number of classes the student attends per week × 2 weeks.

3. Make-Up Policy

  1. Make-Up Class Entitlement
    • Each student is entitled to 4 make-up classes per enrolment per term.
    • For example:
      • A student enrolled in 1x RAD class per term will receive 4 make-up classes.
      • A student enrolled in 2x RAD classes per term will receive 8 make-up classes.
  1. Make-Up Class Options
    • Make-up class choices include, but are not limited to:
      • Lower or higher-level RAD classes (subject to teacher approval).
      • SP Level 1 Foundation Class (subject to teacher approval).
      • Pre-Pointe or Pointe Class or SP Turn technique class (subject to teacher approval).
      • Contemporary Dance / Conditioning / Adult Class (available for students aged 12+ with teacher approval).
  1. Importance of Conditioning
    • We strongly emphasize the importance of conditioning as part of a dancer’s development. While many parents prioritize ballet classes for make-ups, our academy firmly believes that conditioning is just as vital as ballet.
    • Conditioning significantly improves dance technique and helps young dancers, especially teenagers experiencing growth spurts.
  1. Make-Up Class Scheduling
    • Kadence Ballet Academy will arrange make-up classes among all suitable lessons offered by the academy.
    • Make-up classes must be completed within the current term or the following term. They cannot be carried forward beyond this period, except for PSLE-year students, who are granted additional flexibility.
  1. Make-Up Class Policies
    • No changes are allowed once a make-up lesson is confirmed.
    • Missed make-up classes will be forfeited if a student does not attend.
    • Parents must take the initiative to contact our admin team to arrange make-up classes.

This policy ensures fairness while providing students with opportunities to maintain their training effectively.

4. Royal Academy of Dance (RAD) Students & Exam Policy

  1. Eligibility & School Discretion
    • Kadence Ballet Academy reserves the sole discretion to determine whether a student is ready to take the RAD exam.
  1. Class Requirements for Exam Students
    • Students wishing to take the RAD exam must meet the following class attendance requirements:
      • Grade 3 and above: A minimum of 2x weekly classes throughout the syllabus.
      • Grade 2 and below: A minimum of 2x weekly classes for at least 6 months before the exam date.
  1. Exam Fees & Associated Costs

All students taking the Royal Academy of Dance (RAD) exam must pay the following fees:

1). Mandatory Exam Fees

  • RAD Exam Fee (set annually by the Royal Academy of Dance).
  • Kadence Ballet Academy Admin & Registration Paperwork Fee: SGD $30.

2). Additional Fees (If Applicable)

  • RAD Gear Fee:

Some students may be required to purchase specific exam attire, which may include:

  • Grade 3 Flower Headpiece
    • Character Dress and shoes (Grades 1 to 5)
    • Waist Belts and Head Ribbons (All Grades)
    • New Ballet Tights or Soft Shoes (if existing ones are worn out or torn before the exam). We recommend BLOCH convertible tights and BLOCH 284L/284G for soft shoes.
    • On exam day, students have the option to have their hair neatly bunned and light makeup applied by us for an administrative fee of $20. For hygiene purposes, students must bring their own makeup products and tools.
  • RAD Intensive & Mock Exam Fee:
    • RAD Exam Intensive + Mock Exam Session will be conducted 1-2 months before the exam, consisting of:
      • 2x Intensive Classes (1 hour each).
      • 1x Mock Exam (1 hour).
    • Intensive classes are highly recommended, and the mock exam is mandatory for all candidates.
    • Fee: SGD $50 per session (total SGD $150 for 3 sessions).
    • Mock exams will be conducted in a combined-class studio setting.
  • Missed Mock Exam:
    • If a student cannot attend the scheduled mock group coaching, they must book a 1-hour private coaching session to go through the mock exam procedure.
  • Official RAD App (if required):
    • Selective students may be required to download the official RAD App to review exercises at home for additional exam preparation.
  • Private Coaching (if required):
    • Ad-hoc private lessons may be recommended for students who require additional individualized exam preparation.
  1. Refund Policy
    • No refunds will be issued for the RAD Exam Fee or Administrative Fee if a student decides not to take the RAD exam after registration.
  1. Use of Exam Results
    • Kadence Ballet Academy reserves the right to use RAD exam results for marketing purposes, including disclosing exam scores.

This policy ensures that students receive the best possible preparation while maintaining high standards for exam participation.

4. Private coaching fee and policy

  1. Private Coaching Fees: Solo Private Lesson: SGD $160 per hour; Duo Private Lesson: SGD $90 per student per hour; Trio Private Lesson: SGD $80 per student per hour.
  • Cancellation Policy
  • 24-Hour Cancellation Rule
    • Private coaching sessions must be cancelled at least 24 hours in advance to avoid forfeiture.
    • If a student falls sick within 24 hours, a medical certificate (MC) or doctor’s note is required for rescheduling.
  • Duo/Trio Class Adjustments
    • If a student in a duo session is unable to attend, the remaining student must top up the fee to convert the session into a solo private lesson.
    • The same applies for trio sessions, where the absent student’s portion must be covered to adjust the rate accordingly.

5. Class Etiquettes

  • Dressing code: ballet tights (pink) and ballet shoes; panties that are not visible from outside of the leotard; hair must be neatly in a bun for all classes. We recommend BLOCH convertible tights and BLOCH 284L/284G for soft shoes.
  • Punctuality: Be punctual for class; no extension / rescheduling for late comers.
  • No food or drink (except for water) is allowed in the studios; please keep the studio clean at all times.
  • No mobile phones or other electronic devices are allowed in the studios during classes.
  • Students are expected to be attentive during classes; Kadence Ballet Academy reserves the right to remove anyone who is disruptive or abusive to our staff, teaching faculty and/or classmates during classes with immediate effects.
  • Parents or caretakes for young students must be on time to pick up your child immediately upon class dismissal; Kadence Ballet Academy’s responsibility for minor students begins only when the child is delivered to the class room when a teacher is present in the room till the dismissal of the class.

6. Others

  • Kadence Ballet Academy reserves the right to change instructor of a class when necessary; in the event an instructor is changed and class goes on, no refund will be given.
  • If a class is cancelled due to the sickness of the teacher, a health epidemic or any other seen or unforeseen event, the Academy will endeavour to reschedule the class. This may be on a different day or a different time or both from when the class was originally scheduled and might involve an extension to the term time dates. No refunds will be given in this case. In the case we are not able to arrange an reschedule of the class, a refund will be given back to the students.
  • Kadence Ballet Academy reserves all rights over photographs and videos taken during our classes and performances. These materials may be used for our advertisements and publications. Please advise if your child/you is not to be included in any photos/videos. No usage of any form such as copying or reproduction of any materials are allowed without our prior written consent. 
  • Kadence Ballet Academy reserves all rights to update our Terms & Conditions, fees and class schedules without prior notice

7.  Accident Waiver and Release of Liability

  • Kadence Ballet Academy is not held responsibility for injury caused and without limiting the generality of the foregoing damage or injury resulting from or caused by any negligence of instructors or other employees. The parent and student agree that Kadence Ballet Academy, and their directors, teachers, officers, employees, volunteers, representatives, or assigns or any persons authorised by the academy shall not be liable or responsible for any and all liability, including, but not limited to, any accident or personal injury sustained or suffered by themselves during any activity connected to the Kadence Ballet Academy programme.
  • Kadence Ballet Academy is not held liable for any losses, claims, damages, costs or expenses in connection with any action or claim brought or made arising during any courses or activities organized by the academy neither within the premise of the academy.
  • Physical contact may be necessary to demonstrate exercises or techniques during classes. If you have any concerns regarding this matter, please contact us.